Hong Kong Film Gala Presentation – Jakarta Highlights the Creative Spirit of a New Generation of Hong Kong Cinema
AFAA Returns to Jakarta Film Week with the Celebrated “Made in Hong Kong” Section, Engaging Indonesian Audiences with Fresh Perspectives and StoriesOrganised by the Asian Film Awards Academy (AFAA) in collaboration with Jakarta Film Week, and supported by the Cultural and Creative Industries Development Agency (CCIDA), the Film Development Fund, and the Hong Kong Economic and Trade Office in Jakarta, the “Hong Kong Film Gala Presentation – Jakarta” took place successfully from October 23 to 26. This marked the second year of collaboration between AFAA and Jakarta Film Week. Following the success of last year’s “Made in Hong Kong” section, the programme once again showcased the vibrant creativity and diversity of Hong Kong cinema to Indonesian audiences.
During the event, several Hong Kong filmmakers travelled to Jakarta to meet audiences in person — including composer Day Tai (Band Four), director Jack Lai (Possession Street), director Albert Leung (Stuntman), art director Delon Siu (Sweet, Sour and Bitter…), and cinematographer Sam Chan (Anatomy of a Call). In addition to post-screening Q&As, the filmmakers also participated in masterclasses, panel discussions, and the Talent Hub programme, engaging in in-depth exchanges with Southeast Asian filmmakers to share creative insights and inspire cross-cultural dialogue.
On the opening day, the Hong Kong filmmakers were invited to attend the Jakarta Film Week Opening Ceremony, where they exchanged ideas with creators from around the world and joined the celebration of Indonesia’s annual cinematic event. The occasion further strengthened the cultural and creative connection between Hong Kong and Southeast Asia.
This year’s Hong Kong Film Gala Presentation – Jakarta was held under the theme “Together We Dare to Rock”, presenting a vibrant selection of Hong Kong films that span music, family, action, and horror. Through these bold and distinctive works, Indonesian audiences were able to experience the creative energy and diverse perspectives of a new generation of Hong Kong filmmakers.
Directed by Mo Lai Yan Chi and scored by renowned Hong Kong composer Day Tai, Band Four moved Indonesian audiences with its heartfelt story about family and music. During the post-screening Q&A, Day shared insights into his creative process: “All of the main cast members are musicians — Teddy Robin, singer Kay Tse, Anna hisbbuR, and the young drummer Riley. Each of them wrote an original song for the film, and I drew inspiration from their personalities and musical styles to compose the score.”
He added that he deeply resonated with the film’s message — “to cherish one’s family.” The Indonesian audience responded enthusiastically, noting that music-centred films are rarely seen in local cinema and praising Band Four for its genuine emotion and vivid portrayal of Hong Kong’s urban warmth and humanity.
During the post-screening Q&A for the horror film Possession Street, director Jack Lai spoke with the audience about the film’s creative process and visual approach. He explained that the story is primarily set in an old shopping mall, so the production team spent considerable time before filming studying lighting and atmosphere, aiming to capture the mall’s unique “texture” through cinematography and art direction.
Jack also shared his experience working with Hollywood special effects makeup artist Mark Garbarino, known for his work on Avengers: Infinity War and Maze Runner: The Scorch Trials. “Mark and I have been good friends for years,” he said with a smile. “He was in the U.S. and I was in Hong Kong, so we often held late-night meetings to discuss every detail of the character designs. Our shared goal was to do our very best and deliver the most striking visual experience for the audience.” Jack added that Mark’s professionalism and passion made the collaboration both inspiring and fun.
Many Indonesian audience members expressed their familiarity with classic Hong Kong zombie and horror films, and given Indonesia’s own strong horror film tradition, they were especially curious about how a Hong Kong director would reinterpret the genre by blending it with local culture and style. The discussion was lively and engaging, with enthusiastic exchanges between the audience and the filmmaker.
During the post-screening Q&A for Stuntman, director Albert Leung shared that the film was deeply personal to him — a tribute to Hong Kong’s stunt performers and action choreographers. Leung, who himself entered the stunt industry at the age of 36, explained, “It’s becoming rare to see young stunt performers in Hong Kong — most of them are veterans in their forties or fifties. Through this film, I wanted to tell people that no matter your age, you still have the right to chase your dreams.”
The film not only highlights the unique spirit of Hong Kong action cinema but also delivers a heartfelt message about passion and perseverance. One audience member remarked, “Thank you for bringing us such an authentic Hong Kong story. As someone who has lived away from home for many years, I truly felt a deep sense of connection and emotion through this film.”
In addition to the feature screenings, the “Made in Hong Kong” short film section showcased four titles — Sweet, Sour and Bitter…, Once Upon a Time in the Mountain, Bric-a-brac, and Sound of Silence. Among them, Sweet, Sour and Bitter… and Once Upon a Time in the Mountain were award-winning projects from the International Film Camp 2024, while Bric-a-brac and Sound of Silence were directed by acclaimed Hong Kong filmmaker Yan Yan Mak. Another Hong Kong short, Anatomy of a Call, was featured in the festival’s “Global Short Competition”, highlighting the diverse visual voices and creative perspectives of Hong Kong’s emerging filmmakers.
Two post-screening Q&As were also held for the short films, featuring art director Delon Siu (Sweet, Sour and Bitter…) and cinematographer Sam Chan (Anatomy of a Call), who discussed their creative inspirations and the challenges behind their productions.
Through the Hong Kong Film Gala Presentation – Jakarta, Indonesian audiences gained a deeper understanding of the breadth and evolution of Hong Kong cinema across genres and formats, while the event also served as a cultural bridge connecting a new generation of Hong Kong creators with audiences across Asia.
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