Featured Programmes

The 18th Asian Film Awards

Building on last year’s successful side events that drew full-house audiences, this year’s edition will once again gather a host of Asia’s leading film professionals in Hong Kong. Today, we are excited to unveil the first round of programmes and speakers, featuring an in-depth masterclass and four insightful conversations with nominees, leading up to the awards ceremony.

TU Duu-chih’s Masterclass: Echoes of Light and Sound

Taiwanese veteran sound designer TU Duu-Chih, a master of cinematic sound and four-time Asian Film Awards winner for The Assassin, The Great Buddha+, and Anita, will host his first-ever masterclass in Hong Kong. With over three decades of experience, he has collaborated with top directors including WONG Kar-wai and HOU Hsiao-hsien, and played a key role in elevating Chinese-language cinema on the global stage. His work has earned him international acclaim, including the Technical Grand Prize at Cannes and induction into AMPAS. In this exclusive session, TU will explore the art of sound design, analysing how sound enhances storytelling through case studies of his award-winning work and sharing key techniques.

Stealing the Scene: The Best Supporting Actors Conversation

The discussion session “Spotlight on the Wings” brings together this year’s Best Supporting Actor nominees: LEE Kang-Sheng (Taiwan) from Stranger Eyes, Tommy CHU (Hong Kong) from The Last Dance, and Philip NG (Hong Kong) from Twilight of the Warriors: Walled In, for an in-depth conversation on shaping unforgettable supporting characters. Though experienced in leading roles, these actors have left a strong mark in supporting performances. LEE Kang-Sheng is a Golden Horse Best Actor winner, Tommy CHU is often called a scene-stealer by audiences, and Philip NG, a martial arts actor, delivers powerful performances. They will share insights on character development and how to make a lasting impact within limited screen time.

Bringing Stories to Life: The Art of Production DesignProduction design shapes a film’s world, setting its tone, era, and depth of storytelling. In the upcoming conversation “Painting on the Cinematic Canvas”, seasoned designers behind many cinematic classics, HUO Tingxiao (Mainland China) from Black Dog and Kenneth MAK (Hong Kong) from Twilight of the Warriors: Walled In, will share their creative process. HUO, known for his collaborations with ZHANG Yimou, has won multiple Golden Rooster Awards and received recognition at Cannes for The Emperor and the Assassin. MAK, praised for his detailed recreations of Hong Kong’s cityscapes, has worked on the Ip Man series and earned accolades from the Hong Kong Film Awards and Golden Horse Awards. Together, they will explore how production design brings stories to life and immerses audiences in the film’s world.

Scoring the Screen: The Power of Film MusicIn “Composing the Notes of Cinema”, the Best Original Music nominees—Hi’Spec (Japan) from All the Long Nights, KIM Tae-seong (South Korea) from Exhuma, KATSUMOTO Michiaki (Japan), from The Box Man, and Wan Pin CHU (Hong Kong) from The Last Dance—unite to explore the power of film music. From experimental hip-hop to orchestral scores, each composer brings a unique harmonic vision to cinema. Hi’Spec is a renowned independent hip-hop artist and longtime collaborator of director MIYAKE Sho. KIM Tae-seong has scored South Korean blockbuster epic The Admiral: Roaring Currents. KATSUMOTO Michiaki is known for his distinctive soundscapes, while Wan Pin CHU contributed to the record-breaking, the highest-grossing animated film globally, Ne Zha series. They will share their creative process and how music elevates storytelling beyond the screen.

Breaking Boundaries: The Next Wave of Asian DirectorsThis year’s Best New Director nominees, SORA Neo (Japan) from Happyend, DONG Zijian (Mainland China) from My Friend An Delie, and TRUONG Minh Quý (Vietnam) from Viêt and Nam, will take part in “Shaping Tomorrow’s Cinema”, exploring how fresh styles and perspectives are expanding filmmaking possibilities. These rising directors bring bold creativity to the screen—SORA Neo’s debut offers a distinct take on youth, DONG Zijian transitions from actor to director with a self-directed first feature, and TRUONG Minh Quý develops a striking visual identity with 16mm film in his Cannes-selected work. This discussion will explore their challenges they face, and how they are redefining cinematic storytelling for a new generation.

 

The 18th Asian Film Awards featured programme schedule

Masterclass – TU Duu-Chih: Echoes of Light and Sound
Date: 2025.03.15  (Sat) 16:00 – 17:30

Location: Tea House Theatre, Xiqu Centre

Guest: Tu Duu-Chih

 

Spotlight on the Wings – In Conversation with Best Supporting Actor Nominees

Date: 2025.03.14  (Fri) 20:00 – 21:30

Location: FHKA Seminar Hall, Xiqu Centre

Guest Speakers:

LEE kang-Sheng (Taiwan) from Stranger Eyes

Tommy CHU (Hong Kong) from The Last Dance

Philip NG (Hong Kong) from Twilight of the Warriors: Walled In

 

Shaping Tomorrow’s Cinema – In Conversation with Best New Director Nominees

Date: 2025.03.15 (Sat) 12:00 – 13:30

Location: 1/F, Broadway Cinematheque

Guest Speakers:

SORA Neo (Japan) from Happyend

DONG Zijian (Mainland China) from My Friend An Delie

TRUONG Minh Quý (Vietnam) from Viêt and Nam

 

Painting on the Cinematic Canvas – In Conversation with Best Production Design Nominees

Date: 2025.03.15 (Sat) 14:00 – 15:30

Location: FHKA Seminar Hall, Xiqu Centre

Guest Speakers:

HUO Tingxiao (Mainland China) from Black Dog

Kenneth MAK (Hong Kong) from Twilight of Warriors: Walled In

 

Composing the Notes of Cinema – In Conversation with Best Original Music Nominees

Date: 2025.03.15 (Sat) 19:30 – 21:00

Location: Lau Bak Livehouse, G/F, Freespace, Art Park

Guest Speakers:

Hi’Spec (Japan) from All the Long Nights

KIM Tae-seong (South Korea) from Exhuma

KATSUMOTO Michiaki (Japan) from The Box Man

Wan Pin CHU (Hong Kong) from The Last Dance

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