Having made a significant impact with his directorial debut Tracey in 2018, director Jun LI’s second feature Drifting takes a close look at the homeless. It features an outstanding ensemble of actors and shows a sensitive approach to an important social issue.
Derek TSANG’s Better Days tells that a young girl meets a marginal teenager under the pressure of school bullying and academic work, and becomes the only support in her life. The film swept up eight prizes including Best Film, Best Director, Best Screenplay at the 39th Hong Kong Film Awards. The film is Hong Kong’s first Oscar submission to be nominated for best international feature film since 1993.
Renowned Hong Kong production designer and art director MAN Lim-chung follows one of Hong Kong’s most influential filmmakers, Ann HUI, in his directorial debut Keep Rolling. This documentary ranges over HUI’s 40-year career, its ups and downs, and also her family and upbringing. HUI is the first Asian woman director to receive Venice’s Golden Lion Award for Lifetime Achievement.
Adam WONG’s The Way We Keep Dancing is the eagerly anticipated sequel to his popular 2013 success The Way We Dance on street dance culture in Hong Kong. This time, the dancers including Cherry Ngan and Babyjohn Choi from the original cast, are faced with gentrification of the district that has nurtured their creativity.
The Indonesia programme is closed with musician and actor CHIU Sin-hang’s impressive directorial debut One Second Champion. The film topped the box office upon release in March 2021. Born with the ability to see one second into the future, a father takes up prize fighting to fund surgery for his hearing-impaired son.