What could filmmakers do to counter the nationalism and xenophobia on the rise today? An exchange of opinions between two artists separated by geography, but united in their determination in making cinema relevant again.
Gritty family drama unfolding on a busy urban boulevard, and in a cluttered middle-class apartment. A black-and-white “Wallachian Western” in the rural hinterlands in the 19th century, and a colorful, soundstage-set screen version of a play set in 1981. Documentaries based on family photographs of Holocaust victims and Communist-era provinicial militiamen, and short films featuring children, toys and lithographs.
Radu Jude has done them all and more, making him perhaps the most adventurous, exciting, and provocative auteur in recent years. Having emerged from the so-called Romanian New Wave, Jude was among the first in the group (if there ever was one anyway) to break ranks and experiment with artifice, adaptations, and a wild variety of source material.